The directors of Project Hail Mary, Phil Lord and Christopher Miller, just released a “Theater Tour” video breaking down all the ways you can experience the film — from IMAX 70mm to Dolby Cinema, ScreenX, D-Box, and even 4DX.

In this reaction, I watch their breakdown and talk through:
• IMAX 1.43 aspect ratio vs digital IMAX
• 70mm 15-perf film presentation
• Dolby Cinema (Dolby Vision + Dolby Atmos)
• 4DX motion seats, water effects, and environmental immersion
• ScreenX’s 270-degree expansion
• Cinemark XD large format

They even discuss the film-out process used by cinematographer Greg Fraser (Dune, The Batman) to give the movie warmth and texture despite being shot digitally 

If you’re trying to decide how to watch Project Hail Mary, this video is for you.

💬 What’s your preferred theater format — IMAX, Dolby, or something wild like 4DX?

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