FUTURE STATE: DARK DETECTIVE #1 “Dark Detective” written by MARIKO TAMAKI art by DAN MORA “Grifter” written by MATTHEW ROSENBERG art by CARMINE DI GIANDOMENICO
DARK DETECTIVE The world thought Bruce Wayne was dead. They were dead wrong! When the sinister para-military organization known as the Magistrate seizes control of Gotham City, the original Batman went big to put them down…but even the Dark Knight couldn’t predict how far this evil force would go to stop him. Now, Bruce Wayne is on the run! From Eisner Award-winning writer Mariko Tamaki and rising star artist Dan Mora, it’s the story of a Batman pushed to the brink—with nothing left to lose. “This is one of the most anticipated titles in the FUTURE STATE line.” Daniel from the Next issue Podcast
GRIFTER Grifter is back! Cole Cash is having a bad day, and that’s not going to improve when the detectives of the GCPD show up! Will a chance meeting with Luke Fox change his luck? Or is his day about to get a lot worse? What can we expect from Grifter as he is back in Gotham?
Will you be picking up DARK DETECTIVE #1? In Shops: January 12, 2021 (DC Tuesdays!) $5.99 US | 48 PAGES CARD STOCK VARIANT COVER $6.99 US
Dark Nights: Death Metal #7 is a comic book published by DC Comics Written by Scott Snyder Art by Greg Capullo, Jonathan Glapion, Yanick Paquette & Bryan Hitch Colors by FCO Plascencia, Nathan Fairbarn & Alex Sinclair Letters by Tom Napolitano
AN ANTI-CRISIS, PART VII: A SLAP IN THE FACE DC’s biggest, baddest battle for control of the Multiverse! The Darkest Knight is on the verge of ending this concert once and for all, but Wonder Woman stands ready to shred the Darkest Knight. This extra-sized finale issue includes not one but two mind-blowing epilogues that lead directly into the next phase of the DC Universe—and no fan will want to miss that!!
This will contain a bit of spoilers for anything prior to issue number seven. This issue is the culmination of the battle for the universe and the faith of everything going forward. We pick up with Wonder Woman fighting the Darkest Knight but she is not the only one, multiple battles take place across the battleground and although the story focuses on DC’s Trinity, there are many characters whose arcs come to a close in this last chapter. This battle will be settled here.
Scott Snyder‘s final symphony of Death Metal brings about the most epic fight in the history of the Multiverse. This issue is not only delivering a fantastic, bombastic story, but it’s rewarding long time readers of the comic books and those engulfed in DC continuity. This is a very emotional issue and it’s a roller coaster of a ride from the beginning, the pacing picks up as the issue ramps up to its crescendo, and the moment when you feel all is lost Snyder’s writing picks you back up and rallies back to continue the fight until we arrive at a moment of peace and serenity.
The team of Greg Capullo, Jonathan Glapion and FCO Plascencia is a well oiled machine and this may be their best collaboration in comics to date. There are so many individual characters and the level of detail in each of them is outstanding. The panel layouts of this book are one of the most impressive parts of the full composition, not only does Capullo and the team make the reader physically turn the book as he has done in the past, but the layouts illustrate multiple events happening at the same time but it allows the reader to be clear on what is happening on each page Plascencia colors are vibrant and elevate the art and the impact at the conclusion of the event the art becomes simple and very calming The two back of stories have completely different art in our teams and this helps understand that the world is now different moving forward
This whole issue is accented and rounded off by Tom Napolitano‘s lettering. The multiple styles portrayed for each of the universes and the different characters that inhabit this issue allow the reader to have a clear distinction on the difference between them.
Dark Nights: Death Metal #7really feels like a combination of years of storytelling and hard work on behalf of the team and DC comics. The event as a whole is an impressive showcase of both talent and the depth of the DC Multiverse and although it may not be the most “first time reader friendly” book, it is an enjoyable ride that rocks everyone’s faces off.
If you’re interested in seeing How Deep to dive into the Tie-ins of this event check out our previous article
Dark Nights: Death Metal #7 is available January 5th wherever comics are sold.
In a world of comic event happening every few months. DC comics prepares to launch Future State on January 5th 2021, but if you’re a new reader or have not been reading DC comics, the question remains, “What is Future State
Here is the official description from our peeps at Comixology.
“DC Future State spotlights the World’s Greatest Super Heroes in fresh new roles, with all-new characters taking up their iconic mantles and terrifying new Super-Villains that will push them beyond their limits. DC Future State features an incredible array of creative talent, combining award-winning writers and artists with new voices from the worlds of TV, movies, and animation. In DC Future State, the Multiverse has been saved from the brink of destruction, but the triumph of DC’s heroes has shaken loose the very fabric of time and space! The final chapter of Dark Nights: Death Metal brings new life to DC’s Multiverse, kicking off this glimpse into the unwritten worlds of DC’s future!”
Starting this January, for two months, DC comics is taking a break form their ongoing continuity and skipping ahead into the future, a Future State where we’ll see the next generation of DC heroes having adventures, before returning to the present.
Presumably if some of those short miniseries about future heroes are really popular, they may get sequels. This potential glimpse into a future timeline. DC is has assembled an amazing roster of creator so handle these stories. It would be fair to assume that any series that is successful could be continued in the future although no official announcements have been made.
How to best pick what to read in Future State. Here is what we recommend. 1- Follow a creative team that you like even if you have never read that character or series. 2- Pick a character or family of characters (Batfamily, Superfamily, Magic etc) 3- Check out only the Anthology books, a few of the announced books are 80 page giants that contain 3 stories each, be advised those are priced at $7.99, most of the other titles range from $3.99 – $5.99 4 – If you have an unlimited budget, just get them all!! 5 – If patience is your strongest trait, wait for a collected edition or wait until the DC Infinite Service launches and they should be available to read there as part of your subscription in the next 6 months.
Let us know in the comments or twitter, which books you picked up, who are your new favorite characters and which stories you would like to see continued.
THE NEXT BATMAN, PART ONE / OUTSIDERS, PART ONE / ARKHAM KNIGHTS, PART ONE
Written by John Ridley, Brandon Thomas & Paul Jenkins Art by Nick Derrington, Sumit Kumar, Raul Fernandez & Jack Herbert Colors by Tamra Bonvillain, Jordie Bellaire & Gabe Eltaeb Letters by Clayton Cowles, Steve Wands & Rob Leigh
This first Issues is comprised of three different all new stories set in the FUTURE STATE The Next Batman Who is the Next Batman and how will Gotham receive this new Caped Crusader? Gotham City has always been dangerous—but now, it’s downright deadly! Following the tragedy of “A-Day,” the mayor allowed the private law enforcement group known as “the Magistrate” to take over policing so-called mask crime—and that has given rise to a new Dark Knight! What is this mysterious crime fighter’s connection to former Batman weaponeer Lucius Fox? The fight for justice has never been this dangerous!
The Outsiders The Outsiders are back, but they have received a very cool upgrade. In a new tale of the Outsiders, everything in Gotham City may be under the thumb of the Magistrate—but even members of that totalitarian force know that the outskirts of town are protected by the sword of Katana!
Arkham Knights A new force rises out of Arkham, but whose side are they on? Ride with the Arkham Knights on their quest for freedom. Arkham Asylum has been decommissioned, and the Magistrate rules the land with an iron fist and zero tolerance. Now it’s time for the lunatics to take back their town! Follow Croc, Two-Face, Phosphorus, Zsasz, Clayface, and Astrid Arkham as the Arkham Knights raise holy hell on the occupiers of Gotham!
Three different Stories that will reshape both Gotham City and the Legacy of The Batman. This title will be available January 5th 2021 wherever DC comics are sold
Dark Nights: Death Metal is the Sequel to Dark Nights: Metal from 2017. This DC Comics event has shaped the DC Universe over the past few years and this current event promises to change it all forever. The Main Issues of this event have been created by the team of Scott Snyder, Greg Capullo, Jonathan Glapion, FCO Plascencia and Tom Napolitano.
These comic book events can often times have alot of supplementary tie-in comics and series. This article is not about the reading order, for that I recommend checking out this article be the great folks at How to Love Comics. This post is our way to help you decide how deep to dive into this event. We read all the tie-ins so you don’t have to, unless you want to.
The Main Core of the Story. These 7 issues are the main part of the story, there is enough here in these issues for complete story, no extra reading just pure DEATH METAL Dark Nights: Death Metal issues 1 – 7
The Sounds of Death Metal! The following issues are all one shots that although not immediately relevant to the main story, really allow the reader to understand certain events and references that the characters in the Main DEATH METAL title are experiencing. These titles could be seen as side quest that are consequential to the main story. None of these issues are an ongoing series but they directly affect our protagonists and antagonists. Dark Nights: Death Metal – Legends of the Dark Knights Dark Nights: Death Metal – Trinity Crisis Dark Nights: Death Metal – Speed Metal Dark Nights: Death Metal – Multiverse’s End Dark Nights: Death Metal – Rise of the New God
The Coda of Doom If you are in this deep and need more lets go on a SIDE QUEST the issues below are part of an ongoing series and the events are directly related to DEATH METAL. The Events on this miniseries indirectly affect the characters and lead up to Death Metal issue #5 Justice League Issues 53 – 57 (2020) “DOOM METAL” This story directly deals with the fate of the Legion of Doom during the Events of DEATH METAL. For a Full breakdown check out this article from DC Comics
Turn it up to ELEVEN, and ROCK OUT This level for the true completionists. If you are into the deep cuts these issues are for you. This is where the creators explore the backgrounds and motivations of everyone involved in the story. Explore the dark multiverse at your leisure. Although these titles do not directly impact the main story they add depth and substance. Dark Nights: Death Metal Guidebook Dark Nights: Death Metal – Robin King Dark Nights: Death Metal – Infinite Hours Exxxtreme! Dark Nights: Death Metal – The Multiverse Who Laughs Dark Nights: Death Metal – The Secret Origin Dark Nights: Death Metal – The Last Stories of the DCU Dark Nights: Death Metal – The Last 52: War of the Multiverses
Tie-in issues for big events are not for everyone, but this should help you decide how to spend your money and how deep to dive into Dark Nights: Death Metal ROCK ON!!
Suicide Squad #9 is a comic book published by DC Comics. Written by Tom Taylor, art by Bruno Redondo, colors by Adriano Lucas and letters by Wes Abbott
This issue, it’s the shocking death of one of the members of the Suicide Squad. They’ve seen teammates blow up and countries fall. They’ve faced down heroes and villains alike. Now the Suicide Squad has one final mission: bring down the man who enslaved them, then put a bounty on their heads when they escaped: But to finish the job, one of their members will have to DIE!
This issue drops us into the middle of the Squad’s mission to gather some information about their target, the man who previously betrayed them. Also, we catch up with the remainder of the team as they prepare to set off. The book focuses on the intense moments as much as it does the more quiet times in which the squad can actually lay back and hang out. As the issue progresses the team has not only prepared for what could be their final mission, but also unknowingly the loss of one of their teammates.
Taylor’s storytelling is propelled forward with a mix of genuinely dialogue, heartfelt moments, action bits and comedy. The team is quite large but it does not feel fractured as they work very well in smaller teams as well as a larger ensemble. The dialogue is very clever and captures the different personalities in the team. Although it is clear that death is impending, the issue is very upbeat, and not all about doom. The impact of the events is felt as the issue speeds towards the last few pages.
Redondo’s art throughout the issue is light, stylized and very fitting to the action. Whether the setting be a government building or a small jungle, Redondo provides seamless transitions in the art. Lucas’ colors are vibrant as you would see in a SuperHero book, which is telling as to how the protagonists are seen in this point of view. The panels and in some pages lack of border set up the pace in each of those key moments in the story.
Abbott’s letters are very well placed and come to light when needed in the story. The text never hinders the art.
Suicide Squad #9 comes up with an action filled story, fun character moments and a last page reveal that makes this book an entertaining story. Long time fans as well as New readers will enjoy this issue.
Suicide Squad #9 is available September 22nd wherever comics are sold.
The Autumnal #1 is a comic book published by Vault Comics. Written by NYT bestselling author Daniel Kraus (The Shape of Water, Trollhunters), art by Chris Shehan, colors by Jason Wordie and letters by Jim Campbell
In THE AUTUMNAL, is part of the NIGHTFALL Line, Vault‘s annual fall horror imprint. Every year as the weather turns brisk and autumn sets in, NIGHTFALL comes. As Vault continues its usual line, select new series introduced from September to December will bear the NIGHTFALL icon, promising genuine horror. Following the death of her estranged mother, Kat Somerville and her daughter, Sybil, flee a difficult life in Chicago for the quaint–and possibly pernicious–town of Comfort Notch, New Hampshire.
In this series premiere from Vault Comics NIGHTFALL line we catch up with Kat as her life is in a state of imbalance and disarray. At this very moment the death of Kat’s mother starts a series of events that take Kat and her daughter Sybil back home. The small town setting, along with the familiar story of having to go back to your roots set up the mystery in this issue. We find Kat and Sybil’s lives to be complicated and full of challenges. Each other is all they really have, and they have to take the chance to make this trip.
Chris Sheran brings this world to life as their art sets up the eerie slow burn of this story. The detailed facial expressions in the story fill the panels with the feelings of the protagonist. The backgrounds are filled with details about Kat and Sybil that inform the reader about their personalities. Wordie’s color palette is cool and muted initially and as the setting changes to the town of comfort Notch where the colors explode with lush vibrant autumn tones. Furthermore the panel work is very distinct, although mainly shaped like normal rectangular panels, the borders bleed into the story as conflict escalates and they provide a sense of uneasy and raise the tension.
Something is amiss in this small town and this first issue sets up the mystery of Autumn in the town of Comfort Notch. The future of Kat and Sybil remains a mystery. The book addresses personal trauma in the context of a horror story. The characters are likeable, approachable and sympathetic. All of these elements make this a very entertaining and engaging read.
THE AUTUMNAL #1 hits store shelves on September 23, 2020, and will launch with two variant covers, both by Nathan Gooden and Tim Daniel. Sold wherever comic books are found
Batman: Three Jokers #1 published by DC Comics/Black Label Written by Geoff Johns Art by Jason Fabok Colors by Brad Anderson Letters by Rob Leigh
30 years after Batman: The Killing Joke changed comics forever, Three Jokers reexamines the myth. Who, or what, the Joker is and what is at the heart of his eternal battle with Batman?
One night, 3 crimes occur and all of the evidence points to the Joker. Batman and the GCPD investigate how the Joker could commit them all at the same time. Meanwhile, Batman is not the only one hunting down the clown prince of crime, as the Joker has hurt many people along the way.
Three Jokers offers a second look at a mystery set up during the events of Rebirth, in 2016. As the story begins, we’re reminded of the Cape Crusader’s trauma, physical and emotional. Batman is not the only one who has been hurt by the Joker which is the driving force of this story. Who will find the Joker first?
Beginning the issue with a slow recap of who Batman is, this book can stand alone for new readers, while rewarding long time readers with familiar moments, long time not seen characters and memories of some of the more celebrated Batman moments. None of this takes away anything from the current goal of finding out who or why the Joker appears to be in different places. The book then kicks into high gear about a third of the way in. Johns not only partially answers the main question but shifts focus to the deeper mystery of why there are three Jokers, what are they planning and can they be stopped before it is too late. The story also addresses how different characters deal with the trauma the Joker has inflicted upon them and what happens when confronted with Joker once again.
Fabok and Anderson, long time collaborators on art and colors respectively. Fabok’s art is very specific, deliberate and controls the pacing of the story as much as the writing. Slower beats full of details that need to be carefully reviewed, and in contrast bigger panels full of action. The use of smaller panels helps the story to be more dynamic. Anderson’s coloring transports the reader through some of the flashbacks with more muted and almost monochromatic panels. In contrast the current events are filled with a more vibrant palette still representative of more serious Batman stories.
This first issue allows the reader to dive deep into the mythology. It is grittier and more violent in some places, which makes it very well suited for its place in the Black Label. This issue is successful in setting up what appears to be a book more focused on Batman being a detective and testing the Dark Knight mentally. There are big consequences as the issue comes to a close. Long time Batman readers rewarded with all sorts of references without alienating new readers.
The Three Jokers #1 invites readers to try to solve this mystery along with the team. Fabok’s art makes this book worth the wait. This book is now available wherever DC Comics are sold.
Maestro #1 published by MARVEL comics Written by Peter David Art by Germán Peralta & Dale Keown Colors by Jesus Aburoiv and Jason Keith Letters by VC’s Ariana Maher
In the Future Imperfect story, we were introduced to the far-future version of the Hulk known as Maestro — the master of what remains of the world. Maestro, out this week, will answer questions that have haunted Hulk fans for years — and inspire some new ones. How did the world fall and the Maestro rise? What happened to the world’s heroes in between? And where is the Hulk we know and love?
In this over-sized series premiere, we find the Hulk in the middle of a fight alongside the Avengers. The Hulk has managed to find balance in his life, raise his children and spend time with his family and friends.
All is not as it appears. Can the Hulk figure out what is real and what isn’t?
Long time Hulk writer, Peter David returns to finally reveal the secret origins of the Maestro Hulk. David captures the voice of Banner and Hulk working in symphony but also how it devolves into its own new version of the Hulk. At the same time, the world around this “imperfect future” is expanded upon to illustrate why events unfolded so differently in this dark timeline.
The art duties are split. Keown, who works on the more classically aesthetic pages of the story that provide a sensation reminiscent of the original comic. Keith’s colors pop from the page to provide a surreal look to Keown’s pages. The book then transitions to Peralta’s art where we arrive at a more realistic and updated style. This contrasts from the opening sequence, also providing a more updated look that has a feel of an homage. The character designs are unique to its setting and are fully updated to fit their environment.
Overall, this issue is a very strong introduction to the world. Although Hulk is full of rage and doubt, there is a calmness to the story that displays the balance the protagonist seeks out. The issue slightly falters at setting up a real long form mystery that could be told in a mini series.
Maestro #1 promises to answer all the questions about this imperfect world. This issue is available now in comic shops everywhere.
DC Fandome went live on August 22nd, 2020 as DC Comics, Warner Bros. Entertainment and Warner Bros Games launched the first and biggest DC Comics themed virtual convention experience. The show was composed of many panels and lasted about 8 hours. It celebrated the upcoming movies, TV shows, video games and some of the comics.
I will be listing my 5 favorite things about the DC Fandome Event, but first, one thing that was very disappointing but maybe it will be addressed as part of the events that will be taking place in September.
The big downer was the lack of comic book content in the event. The exception was a few of panels that will be addressed in the list below and with Jim Lee all over the place there was no mention of the comic books. No writers in ongoing books, no artist spotlights or any other mention of anyone currently working on the comics side of the business. We know SDCC just happened last month and there was a lot of focus on the comics, but also a big restructuring happened in DC Comics after the WB Media layoffs.
The top 5 things that happened at DC Fandome
5 – The Mini-Panels in between the Movie/Events. An avid convention attendee knows how tough it can be to get into the big panels with the movie stars. A nice alternative is to visit the smaller, more intimate panels. At DC Fandome there were some very interesting and even unexpected panels. From Jim Lee, doing an artist portfolio review, to a visit with Batman voice actors from all over the world. The biggest surprise of them all, the Milestone Media panel hosted by Marc Bernadin. These were intimate conversations about topics that are very relevant to the work but not always in the spotlight.
4 – The Suicide Squad directed by James Gunn. This panel garnered a lot of buzz because there was little to no information about this movie. James Gunn addressed some fan questions, then revealed the cast and the characters they’re playing. Even as an avid comic fan, I had to keep the Google search handy. Lastly, we got a very interesting Behind the Scenes teaser for the movie.
3 – Wonder Woman 1984 directed by Patty Jenkins. like in the Suicide Squad panel, the cast along with the director, addressed fan questions. Unlike the Suicide Squad panel, a lot of the cast was participating. We also got a look at the final trailer that revealed what Cheetah (Kristen Wiig) will look like in different stages of the film. WW84 is set to release next month and the excitement is palpable.
2 – Zack Snyder’s Justice League. This panel focused on explaining how the upcoming project will be released on the HBOMax platform as well as globally. The cast joined in (pre recorded segments) where they asked questions from the fans. Snyder also has a chat with fans involved in creating the petition and movement to get the movie released as Snyder’s version. Lastly, we were treated to a trailer that was recut, with new or unseen footage. 2021 cannot get here soon enough.
1 – The Batman directed by Matt Reeves. I’ll keep this brief since it echoes a lot of the above. Robert Pattinson introduced the panel but was unable to give much information other than mentioning a “big surprise” at the end. Then Matt Reeves and host Aisha Tyler (shout out Tyler for a long day of had work) addressed questions and Reeves expanded on the feel and influences of the movie building up to the release of a teaser trailer. As a Batman fan, this is where I passed out.
Overall DC Fandome has set the standard for virtual conventions and was an outstanding success